If his previous work implies a stacked deck, it stays vague about who stacked it. Anora just tells us: It was the ultrarich.

Sean Baker is scrappy. For years, the writer-director has been making independent films about marginalized groups, from undocumented immigrants to sex workers. He casts his own movies, working with friends and talent he finds on social media.

"Use film if you can." 🎞️ Letterboxd has debuted a promo video featuring the acclaimed director of Anora, Sean Baker, visiting a film processing facility in Los Angeles to check the quality of newly struck prints.

Sean Baker’s film Anora won the Palme d’Or at this year’s Cannes Film Festival — the latest in the director’s acclaimed narratives about sex workers that include Tangerine, The Florida Project, and Red Rocket. But Anora might be his most inviting, accessible work yet.

Throughout his career, Sean Baker has focused his lens on characters often left out of the mainstream, providing intimate looks at the lives of those marginalized or considered outsiders. Sex workers are some of his main subjects,

Sean Baker's “Anora” is by wide consensus one of the year’s best films and a best picture contender at the Oscars

As a writer and director, Baker has dedicated much of his career to elucidating the subtleties of figures like Ani who are often relegated to the background. He’s allowed us to peer inside the fictional lives of trans sex workers on Hollywood Boulevard in his 2015 breakout “ Tangerine ,

NPR's Eric Westervelt talks to Sean Baker. The director of "The Florida Project" has a new movie about an exotic dancer's unlikely relationship with the son of a Russian oligarch. It's called "Anora."

Sean Baker’s new film Anora had the highest per-screen average of 2024, with $90,000 on six screens for a total […] The post Sean Baker’s Anora Scores Highest Per-Screen Average of the Year appeared first on MovieMaker Magazine.