Their fifth album resurrects the cause of the pioneering ‘Aviatrix’ Amelia Earhart from the 1920s, communicating triumph in ...

I last heard her as Rusalka at Covent Garden 14 years ago, and since then the voice has grown dramatically – she’s added ...

Every journey eventually comes to an end. And so it is that Fate & Alcohol marks the end of Japandroids ‘ journey, with the ...

Any 73-minute album that ends with a poppy 3-minute house track is either fascinatingly eccentric or a lazily sequenced ...

Isabella Bywater’s production of The Turn of the Screw fails to send shivers down the spine, but it’s spectacularly sung and ...

Nicholas Butterfield, Frazer Scott, Nicholas Watts, Henry Waddington, Colin Judson & Dean Robinson (Photo: Richard H Smith) ...

Fans of Field Music could have been forgiven that they may have heard the last of the Brewis brothers. Their last album, Flat ...

Bernstein’s Trouble in Tahiti thrills, but its sequel, A Quiet Place groans under the weight of its pretentiousness.

Jennifer Davis is the Leonore of one’s dreams in The Royal Opera’s revival of Beethoven’s only opera.

His career spans over 30 years, but it’s only relatively recently that Paul Heaton seems to be getting the respect he deserves. Despite his stints in both The Housemartins and The Beautiful South, and ...

Veteran American singer-songwriter delivers comforting and contemplative 11th album with help from Big Thief Never meet your heroes, so the old adage goes. Adrianne Lenker of the indie-folk band Big ...

As Charli XCX’s Brat rides high in the charts, it’s worth pondering the stretched definition of hyperpop – where is the line that separates its radio-friendly singles from music that can be simply ...